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Bianchetti " 김연아는 차원이 다른 선수 "

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KO 255 FEFFEFEF 126,882

Bianchetti " 김연아는 차원이 다른 선수 "

 

Yu-na Kim (KOR) was by far the best, placing first in both the short and the free with a total score of 228.56, a world record. She was so superior that the competition was for second place only. Skating to George Gershwins Piano Concerto in F Major, Kim was insuperable in combining speed, athleticism and grace. Her jumps are of the highest technical quality, properly started at full speed and landed without any visible effort. Her spins are done with great flexibility. She was flawless till the end, seducing the audience with her expressiveness. But what makes her so captivating is her presentation, the way she uses her arms, her head and her body while skating on deep edges. She is as light as a feather. She is breathtaking on the ice, a real marvel. Yu-na is in a class of her own, on another planet, as I think of her. She had one of the greatest performances in figure skating history.

 

김연아가 너무 특출해서 올림픽은 2등을 겨루는 경기가 되었다.

김연아는 차원이 다른 선수이다.(in a class of her own, on another planet)

피겨 역사에서 가장 위대한 performance였다.

 

 

Mao Asada, skating to the Bells of Moscow by Rachmaninov, started off her free program with a beautiful triple Axel followed by a second triple Axel/double toe-loop combination. Mao was the first woman to execute a triple Axel in the Olympic Games since her compatriot Midori Ito landed one in the 1992 Olympic Games in Albertville. Mao is a great fighter because to skate immediately after Kim must have been very hard for her. She skated with good speed. Her spins and the spiral sequence were beautiful. She had a couple of flaws, though: the triple flip was downgraded, and she stumbled on the footwork into her triple toe-loop and she singled it. On the whole she gave a lovely, elegant performance.

 

 

마오는 김연아를 이기려면 열심히 해야한다

몇가지 결함이 있었다

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Bianchetti ギムヨンアは次元が他の選手

Bianchetti ギムヨンアは次元が他の選手

 

Yu-na Kim (KOR) was by far the best, placing first in both the short and the free with a total score of 228.56, a world record. She was so superior that the competition was for second place only. Skating to George Gershwins Piano Concerto in F Major, Kim was insuperable in combining speed, athleticism and grace. Her jumps are of the highest technical quality, properly started at full speed and landed without any visible effort. Her spins are done with great flexibility. She was flawless till the end, seducing the audience with her expressiveness. But what makes her so captivating is her presentation, the way she uses her arms, her head and her body while skating on deep edges. She is as light as a feather. She is breathtaking on the ice, a real marvel. Yu-na is in a class of her own, on another planet, as I think of her. She had one of the greatest performances in figure skating history.

 

ギムヨンアがとても特別に優秀でオリンピックは 2位を競う競技(景気)になった.

ギムヨンアは次元が他の選手だ.(in a class of her own, on another planet)

フィギュア歴史で一番偉い performanceだった.

 

 

Mao Asada, skating to the Bells of Moscow by Rachmaninov, started off her free program with a beautiful triple Axel followed by a second triple Axel/double toe-loop combination. Mao was the first woman to execute a triple Axel in the Olympic Games since her compatriot Midori Ito landed one in the 1992 Olympic Games in Albertville. Mao is a great fighter because to skate immediately after Kim must have been very hard for her. She skated with good speed. Her spins and the spiral sequence were beautiful. She had a couple of flaws, though: the triple flip was downgraded, and she stumbled on the footwork into her triple toe-loop and she singled it. On the whole she gave a lovely, elegant performance.

 

 

マオはギムヨンアを勝とうとすれば熱心にしなければならない

いくつかの欠陷があった

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